• About
  • -Bio
  • -Contact

• On-Going
  • -Stories by the Dying Ember
  • -Double Dream Hotel
  • -Transmission
  • -Blue Trees, Black Fruits
  • -Enlarged Nerves
  • -The Retrograde
  • -A Curved Wall
  • -Shapes and Shadows

• Projects
  • 2020
    • -Strange Things
  • 2019
    • -We Hesitate to Wash Ourselves in Muddy Water
    • -Melting! Melting!
  • 2018
    • -Tom, Dick, and Harry
    • -Cinema Surrogate #3
    • -The Body and the Seed
  • 2017
    • -Aperture
    • -Suppose, There is A
    • -The Genius of the Crowd
  • 2016
    • -Cinema Surrogate #2
    • -Peninsular Session #1
    • -Klaus
    • -Covert Overt
    • -State of Motion
  • 2015
    • -Dog and Butterfly
    • -OH! Joo Chiat
    • -Closest, Softest Thing
    • -Clean (aka Mike's Car Wash)
  • 2014
    • -Blind
    • -The Beach that Never Was
  • 2013
    • -Motherland
    • -This Place is Elbow Deep
    • -Arrival Reception
  • 2012
    • -Welcome Door Mat
    • -Artist Door at 45 Degree
    • -Pulau Ubin Residency
  • 2011
    • -Bench and Pebble
    • -Chair on the Staircase
    • -Swimmer
  • 2010
    • -Room 2
  • 2009
    • -Truism Near a Water Fountain
    • -Three Sculptures
  • 2008
    • -Horizon, or Do Fish Drink Water?
  • 2005
    • -Fresh Veg

Arrival Reception is a 2012 installation with 28 framed collages lining a narrow hallway. In collaboration with sound artist Zai Tang, the installation included a wall-sized box fitted with a camera at the entrance, and a monitor that receives and screens live-feedback from the camera at the back of the space. Arrival Reception was part of Engaging Perspectives: New Art from Singapore, an exhibition curated by Dr. Eugene Tan, and was held at the Gillman Barracks.