• About
  • -Bio
  • -Contact

• On-Going
  • -Stories by the Dying Ember
  • -Double Dream Hotel
  • -Transmission
  • -Blue Trees, Black Fruits
  • -Enlarged Nerves
  • -The Retrograde
  • -A Curved Wall
  • -Shapes and Shadows

• Projects
  • 2020
    • -Strange Things
  • 2019
    • -We Hesitate to Wash Ourselves in Muddy Water
    • -Melting! Melting!
  • 2018
    • -Tom, Dick, and Harry
    • -Cinema Surrogate #3
    • -The Body and the Seed
  • 2017
    • -Aperture
    • -Suppose, There is A
    • -The Genius of the Crowd
  • 2016
    • -Cinema Surrogate #2
    • -Peninsular Session #1
    • -Klaus
    • -Covert Overt
    • -State of Motion
  • 2015
    • -Dog and Butterfly
    • -OH! Joo Chiat
    • -Closest, Softest Thing
    • -Clean (aka Mike's Car Wash)
  • 2014
    • -Blind
    • -The Beach that Never Was
  • 2013
    • -Motherland
    • -This Place is Elbow Deep
    • -Arrival Reception
  • 2012
    • -Welcome Door Mat
    • -Artist Door at 45 Degree
    • -Pulau Ubin Residency
  • 2011
    • -Bench and Pebble
    • -Chair on the Staircase
    • -Swimmer
  • 2010
    • -Room 2
  • 2009
    • -Truism Near a Water Fountain
    • -Three Sculptures
  • 2008
    • -Horizon, or Do Fish Drink Water?
  • 2005
    • -Fresh Veg

The Beach that Never Was was an exhibition jointly organised by Juka Araikawa and Krister Olsen from the Hayama Projects, and Mike HJ Chang. The 2014 exhibition explores artists from California, Tokyo, and Singapore, and their respective relationships to their homes and living spaces. It took place in the Earl Lu Gallery, and was supported by Institute of Contemporary Art Singapore.

The artists include Juka Araikawa, Stephanie Burt, Joshua Callaghan, Mike HJ Chang, Hirofumi Isoya, Joshua Miller, Krister Olsson, Pimeriko, Ryo Shimizu, and Mark Thia.

To learn more about Hayama Projects and their past exhibition, go to http://hayamaprojects.com

To see the exhibition catalog, go to ICAS publication archive